the residual drip

            of technology,

pouring in your eyes
            and ears,

ever so tempting to the
            touch,
always but a reach
            away

taking your every thought
            and skewing it,
replacing it with another,
            unprofound—

leaving your head
            ajar, but not your
spirit—

            it’s a new
                        addiction
(the most dangerous yet,
            more dangerous than
heroin, because with this
            one, you live)
            and the more you
                        suck in,

            the more you’re
                        rewarded
            with hollow golden
                        stars.

is this how the end feels?

(aka: don’t be so dramatic, it’s only 1/? anyway)

no sirens no warnings no red
lights whirling in the air

it’s not nuclear nor flying
through space—no screaming
you can hear;

but, make no mistake!

this thing will eat you alive

IT:

slowly takes hold with malevolent grip—
one hand inked with “disbelief,” the other
with “fear” tattooed across its knuckles,
the trivialities of paper and politics non-
sensical, yet still reigning supreme

lines drawn in the sand with waves
washing over them, each side still standing,
now improvising demise

some sort of dystopian nightmare come to life,
à la Bradbury or Huxley, Orwell or Rand?

            (truth is stranger than science-fiction?

                                  —no:

what good were all those “brilliant” novels
if’n they ain’t amount to nothin?

what use was all they foretold if it happened anyway?

—oh, yet genius they receive from beneath their graves:
“wouldn’t be one if it didn’t come true,” one proclaims
with a pointed pen, reprimanding, half-moon eyeglasses,

[more like a crescent, the most arrogant of phases]

a tweed shoulder-and-elbow-patched blazer, unabashed and unafraid,
translucent with all their recent losses)

barely breathing through some primordial orifice at first,
now drawing heavy, heaving breaths through its ever-growing gaping hole…

us, as powerless and docile as ever;
reverse (r)evolution, a mitotic backlash

                      (“be kind, please rewind”
           “be warned, don’t fast forward”)

until we’re all single cells in our single cells,
still and subservient unless told otherwise;

(handshakes are gone)
(get-togethers are gone)

intimacy is gone;

HUMAN CONTACT IS GONE

……………………………………………………
…………………………………………
…………………………….
……………………
…………….
………..

…the breeze still blowing
    the sun still shining
    the birds still singing—

    same as they always have,
    same as they always will—

it’s not the end of everything, my darling—
    oh, no! hardly!—
only the end of us.

(don’t forget to wash your hands)

II. Let’s Walk Through Walls

            We are all ghosts if you pay attention. We are all spirits.

            It’s not a matter of ‘When will I?’ or ‘How could I?’ Those are too many words. They are slightly, yet at the same time (paradoxically), monumental in their disadvantageousness. Superfluous and erroneous wording is the utmost enemy. Not to mention the rhetoric of the aforementioned quoted questions is entirely incorrect. They need all sorts of rearrangement. We’ll get to that. Trust me, I’m familiar. Trust me, I’m aware. I trust you, you already know. There are no traces of strangers here. Not even an outline. That’s one of the many reasons I like you, good friend. That’s one of the many reasons I care.

            Where we go, we choose. We use and abuse and discard other’s views to the point of contempt. It’s a point better slept on to get the full picture. But picture this while you’re still awake: a picturesque view of that which you most long for, that which you wish most to acquire. Feels good, doesn’t it? I bet! Except for accepting the fact you’re exempt from the path of that which you lack and you can’t get it back. As if you ever had it in the first place! The optimist in me hopes you haven’t. Now that’s a facetious facet to fancy, first and foremost.

            For most, I wish the best. But firstly I want you to rest safe and sound without the sound of your safe going off in the night in the dark without sight—nor without sound if your caliber’s large and the criminal looms under the slimmest of moons. You’ve got them and spot them, hopefully I assume. Though I should assure you: Hope’s not my thing. Fate has you in its omniscient hands. Destiny will handle the rest.

            Good luck in this scenario, good friend! Hope, Fate, and Destiny are the names of strippers.

            Assumptions, well… assumptions can be quite assuming, can’t they? They can blow me for less! Less than a matchstick but this isn’t Kansas, I’ve been halfway across half of the atlas and found I’ve traveled the fastest on the thirty-ninth latitudinal axis.

            No, not Nazi Germany! Modern geography! Learn your angles! And your world!

            What’s it all for? What are you all for?

            Can you tell me?

            I hope so! If not, you’ve got work to do. We’ve got work to do. There’s always a reason. There’s always relief—in some sort of whimsical way, shiftable shape, feasible form, or abhorrent abomination. Shh—it’s a secret! I’ll share it with you. Follow me. Goddammit! Quiet down now.

            Quiet… calm… very well. Acquiesce now. Capitulation is key. Good friend, good job. Here we go:

            There is a door.

            It may be close, it may be far. If you’ve made it here then I sense you are nearer than you might fathom you are. I imagine you’re closer than black tongues behind the loose lips of lying lovers. Take a look around. What do you see? Sure—floors, walls, ceilings, objects of unimportance—sure. Fine. I’m used to it. I can relate. But what don’t you see? Air, atoms, sound, and (arguably most importantly) the doorway.

            Allow me.

            No—allow yourself, good friend!

            The door can be gold, it can be black. It can be red or gray or garish in ornamentation. It can be glass, it can be steel. It can be single or double or revolving in orientation. Don’t let me impede on your imaginative processes! It can be whichever or whatever you like! Really, this is the most crucial point of the process. Yet, somehow, some way, even more crucially, the point is: it is there. It exists. All you must do is find it. Taking for granted you haven’t already. (Maybe you have. Maybe it begs to be revisited. Maybe it craves recrudescence. Maybe, just maybe, it wants you back. Maybe you should comply. Maybe you might if your might might allow it. I, for one, believe it mightily.)

            Take it down. Talk it up! Take it however you take it such. I’m with it. I’m for it. Who am I to disagree? Who am I to say? Who am I to think? Thinking is still legal, isn’t it—even if just barely? I thought so. Great. Fantastic. Grandiloquent, if I do say so myself (and I do). Without further ado!

            It’s kind of like geometry. You know that old saying: A square is a rectangle, but a rectangle is not a square. Doors hinge upon doorways, not the other way around. There’s always another way around. Let us pass through walls if we have to. What’s important is what’s on the other side. It’s all subjective, really. Could it be—

            The past. A bright day from your childhood, a day so profoundly a part of your being you wouldn’t be who you are today without it. A day you thought would never end. In many ways it never did—it never has. You’re here again, aren’t you, good friend? Never knowing where you are now. Never knowing what you’ll be. Leave that in—

            The future. Promising and prominent. Prosperity parading down the promenade. You must think it to achieve it. That’s how this works. That’s how we work. Make it worth it, not worthless. Detach deterioration from its detrimental threads. Keep your head up don’t wind up—

            Dead. I smoke cigarettes in bed. I haven’t woken up deceased yet—at least, not that I know of. My dreams tell me I’m still alive. My dreams tell me a lot though. The universe isn’t as big as we think. It is much, much larger. It’s vast and vacant and lonely lonely lonely, even with all those stars keeping us company. Because stars are incapable of—

            Love. The perfect human. The ideal mate. Waiting patiently for your dissident ascension to the other side. It’s the first day of spring with the flowers and birds and all that. Bloomage and plumage, as it were. Summer’s verdant warmth eventually falls face first. The flames whither to a whisper before they disappear. Ice for embers. Much to your—

            Horror. Dingy dungeons, a particular filth. Thick slime and lowlifes of the same sort. They sneer from the shadows, making deals with the coroner around the corner, ill-reputed and sick. “Any day now,” they say. “Any day now.” Any day now is right! Any day now you’ll find yourself—

            Outside. There’s a brilliant gleam streaking the sky with soft pastels. Twilight twinkling down the gulf, shimmering shimmering away. You made it here because you said ‘I will’ not ‘When will I?’ You exchanged your ‘How could I?’s for ‘How could I not?’s. You opened that door and took that step.

            When you see the door—whether it’s squeaky or greased, swinging or sliding, infinite or infinitesimal; be it locked or gaping, modern or ancient, inside or out; if it’s under a train or over a trap, barricading a cave or blockading a castle, adorning a theatrefront or the front of your home—I ask that you go through it. Heroically and wholeheartedly.

            I know I will. And if not, well, there’s always the wall.

Just Before Dusk

when the shadows
grow longer,
stretching their
lazy arms and legs across
the narrow streets and trees,
reaching over everything
to swallow us whole—

it’s too heavy for me;
sometimes, I just can’t take it—

it reminds me of all that used to be,
it reminds me of all that never was—

please, don’t let this be the end.

Dreamgirl, a Jasper Hallowes story

            “Jack, pleeeaase! I don’t want to sleep on the couch tonight,” flew from Melodie Carpenter’s seduction-red lips like a verbal canary from its tracheal cage. Her shining eyes pierced in her husband’s direction from their living room. Her face, a tragicomic porcelain mask, stretched smooth. Spilt inkwell hair ran in loose ribbons on either side of her face as her skeleton hand brought a shaky cigarette to her red-hot lips long enough for her pretty little throat and lungs to pull a drag, exaggerating her clavicles, then brought it away in a wisp of smoke. Her legs wisped away like the smoke did.

            “Why not?” Jack called from the kitchen, half-listening, fixing another drink. His voice grew as he approached. “It’s so comfortable—we can crack the windows to let the crisp October breeze in and pass out to the sounds of an old horror flick and the warmth of each other.” He entered the room. “Before long it’ll be too cold and we’ll wish we could do this.”

            He knew the last part was a lie before he said it; even when winter fell and constricted them for half a year, even as brittle and ruthless as Western New York winters were, they would still wrap up in a million blankets and cozy-up by the fireplace. And no matter what, no matter where, even if all else failed, Jack Carpenter always had the warmth of his whiskey—his best and most dependable friend.

            “Do you ever listen when I talk?” Melodie used the question mark as a period—bold, underlined even. If my husband doesn’t listen to me, who does? she thought. There was an entire spectrum of men and women who appreciated her, who would bow at her feet and wait on her every whim—maybe wave her with an elephant leaf, poolside. Especially when she darkened the freckle under her left eye with a dot of eyeliner and wore her vintage cat-eye Ray Bans which made her look oh-so-sassy.

            Why stay with Jack? She had her reasons:

            He was brilliant. He was the head of the science department at the local university, the youngest of whom the school ever granted the title. His intelligence made her knees weak—the way he understood things she could not affected her in ways she couldn’t understand. She wanted to climb inside his brain and camp out for a week, come back and tell him all the wonderful things he already knew. He dreamt huge, gigantic, large enough to blot out the sun—yet realized it took infinite minuscule steps to get there, and that sunshine was not always to be blotted out. He was funny at the right times, serious at others, and could make her laugh or cry in an instant. He was more than talk—he was life in motion—and she was in love with the ride, even if at times she struggled to keep up.

            When these things failed to captivate her (as rare as that was), when she felt disheartened and disenchanted, it was his physical features which drew her back in. His sharp cheek bones, his messy dirty-blonde hair and rough 5 o’clock stubble, the bluish-purple fireworks bursting out from his eyes into the world. He was thin but strong. Her attraction blistered beyond hope.

            He was a god to her, and she, a goddess to him—though his religion lacked practice and his knees stayed uncalloused and clean.

            “Of course I listen to you.” Jack approached his wife as if she were a desert mirage come to false fruition. “What’s wrong, baby?”

            “I told you this morning, Jack.”

            “I know, baby—of course I know. Your nightmare… what was it again?”

            “Jack!” Melodie’s face opened-up like a letter slipped into the cell of an anxious inmate. “How can’t you remember? I am sick of repeating myself to you—I shouldn’t have to! Especially about things that are important. I told you how much it bothered me…”

            “All right, baby, just calm down—”

            “Don’t tell me to calm down,” she hissed, nearly rattled.

            “Ok, ok, don’t calm down,” he threw his free hand up in universal surrender positioning, the other gripping his drink, ice cubes whispering sweet nothings to the glass cocoon they waded in. “Do whatever you like, baby. But, please, sit down. Tell me about your dream. It was something about a… a… a baby?”

            “…yes…”

            “Well? What, did it juggle flaming butcher knives on a pewter unicycle?” She couldn’t suppress her smirk. She cleaned it up quick, but not before he noticed. “Come on, Mel, I want to hear.”

            Melodie sunk like a seed into the earth tones of their living room. She sipped her drink and lit a new cigarette. Looking around, she searched for a focal point. She looked at him, then down. At Jack, then away again.

            “We came in from the theatre and lay down here on the couch. We talked and cuddled, the television a dim murmur in the background. Before long, you passed out, like always.” She stared at him like an honorable mention of a white marble Rushmore. “I flipped through the channels for hours while you snored. Finally, I fell asleep.”

            “…and?”

            “And it was horrible, Jack! It was excruciating, disturbing, repulsive! It was so, so awful…”

            Jack moved close and wrapped his arm around her. “Tell me, baby.” She threw his arm off like it was on fire and moved away like he was radioactive.

            It took her a moment. She squeezed her eyelids tight. Her face was twisted rope, churning this way and that; her mouth and nose were that of a rabbit, twitching about; then everything relaxed like a waist freed from a corset. Jack could tell she was reliving whatever dreadful series of events she had experienced the night before.

            “We lived in a little house by the railroad tracks,” she began. “The tracks ran through our backyard and the trains passed at a ridiculous rate—every twenty minutes or so—blaring their horns behind our home each time they passed. It was… cartoonish.

            “Inside the house was just like ours, and it began with last night, only I fell asleep when you did. What felt like weeks passed, and when I woke-up I was pregnant. You questioned if I were cheating on you, you were afraid of being a father. It was so vivid, Jack. I saw spit flying from your teeth as you yelled and screamed and… pushed me down the stairs. I cried myself to sleep on this couch—this very couch—and dreamt I were somewhere else, someone else. Another time, another place. It was grand.”

            She sipped her drink and dragged her cigarette. Jack lit a smoke and did the same. He looked on with narrowed eyes. She continued.

            “When I woke up—in the nightmare—I was as big as a bass drum. My water broke. You smiled and held my hand as we sped to the hospital. You were the sweetest thing. Then you kicked me out of the car at the front door and sped off, leaving me covered in dirt. I bobbled and swayed inside, collapsing in the lobby.

            “Coming to, dim lights flickered over me. I was on my back being wheeled through the hospital halls, only the walls weren’t white like hospital walls should be. They were blood-red and looked damp, they glistened. I reached out to touch one, it was sticky and stained my fingers red. The woman pushing the gurney, her face hidden, impossible to identify under a bone-white surgeon’s mask and bone-white scrubs, ordered, ‘Do not touch the walls, ma’am! They’ve just been freshly painted!’ I didn’t smell fresh paint but I did smell something metallic, like blood. You know that metallic smell.”

            Their eyes met, old lovers after years of no correspondence. Jack nodded.

            “She left me in a pitch-black room, nothing in sight aside from the bed I lay upon. One bright light shone down on me, like I was a performer on a stage. The room appeared endless, as if I were floating through space. I was alone. Pain set in. Hours passed.”

            She cleared her throat. She did not drag her cigarette or sip her drink. She collected herself like a lovelorn child, like how a professor of geology might gather stones on a vacant beach. It was overcast. Blue-gray smoke rose all around her.

            “My insides tore themselves apart. My body pulled and ruptured and ripped. I twitched and squirmed and screamed but no one—nobody, no animal, no god—heard me. If they did, they didn’t care.”

            Jack cringed. Melodie stared out into nothing.

            “The bones in my pelvis crunched and cracked as it… it came out of me. Came through me. Left my body and became its own entity. Grasping the bed handles until they bent, my entire body burning and floating, a leg popped out… then another… then another. I screamed and screamed until I threw my voice out and could only make open-ended, hoarse, whooping sounds. I couldn’t breathe.”

            “…my God,” whispered Jack.

            “Once the thing escaped me, you came in drinking a bottle of whiskey, followed by doctors disguised in bone-white masks and clothing like the woman who pushed me down the hall. The thing I gave birth to bit through the umbilical cord and jumped into your arms. The doctors scribbled fiercely on notepads. You glared into my eyes, swigged the bottle, beamed at our… our… child… then glared back at me. You said, ‘Thanks a lot, babe.’ Then I woke up.”

            Silence suffocated the room. The air was wet concrete. Melodie swelled with tears. Jack stood up, ran a hand through his hair, exhaled a deep breath he seemed to have held for years. Within his chest he found the courage to speak like one might find a forgotten family heirloom in a dusty attic.

            “Listen,” he said, brow furrowed, searching for the right words, for any words, pacing about, “you know that will never happen, Mel. You know I would never do any of that to you. I am sickened by my dream-being you’ve encountered. Disgusted. And you know we will never have a mutant baby. I mean, we won’t be having kids for a looong time, Love. We finally own a home; we are finally getting our lives in order. As bothersome as your nightmare is, it’s not real. Baby, we’re—”

            “Jack,” Melodie said, her voice a quivering icicle, “it scared me so bad I bought a pregnancy test this morning.”

            The icicle loosened.

            “One at first, then three more,” she told him.

            Silence suffocated. Wet concrete.

            “Jack…”

            The icicle let go. It fell, sharp and thick. Where it landed, no one could be certain.

            “Jack… I’m pregnant.”

*                      *                      *

            Throughout the pregnancy, Jack pushed Melodie’s nightmare from front-center of her subconscious theatre down somewhere deep underneath the metaphysical floorboards from which it came. He quit smoking and drinking along with her and they spent no more nights on the couch. Every time she thought she had him figured out he turned around with a cool washcloth in one hand and a back massage in the other. Every time she felt scared and alone he appeared by her side, reading a book on baby names, stroking her swollen head and belly. Caressing her psyche. Melodie never felt so in love.

            A week before their baby boy was born they chose a name: Tyson. Meaning high-spirited, just like them.

            Jack did not accuse Melodie of cheating nor did he yell or scream or throw her down a single stair. When Melodie went into labor he drove her to the hospital and did not kick her out in the dirt nor did he speed off. He rushed her into a wheelchair and the nurse who raced her down the hallways did not wear a bone-white surgeon’s mask nor bone-white scrubs. The walls were bone-white, matching the room Melodie landed in, filled with beds, curtains, soon-to-be-mothers and -fathers, doctors and nurses, medical equipment of all sorts beeping and whirring and flashing. There, Melodie prepared to perform the oldest miracle humankind has ever known. There, next to the newest technologies humankind has ever created.

            Tyson came quick but was far from painless. The pain was almost identical to what Melodie felt in her nightmare, intensified tenfold by reality. Jack stayed by her side, hands going from white to numb to purple. He and Melodie threw their voices out like blown amplifiers, like poorly thrown boomerangs, screaming at each other and Tyson and no one.

            “Here he—”

            The doctor stopped.

            “Oh, my,” he said, his face dropping from smile to scowl. Triumphant to troubled. Victorious to vexed. “How did we miss this…?”

            “What is it?!” wheezed Jack. “What the hell is it?!”

            Melodie, swimming in her senses, drowning in her consciousness, gasping for air, heard the doctor say, “You better take a look, dad.”

            She saw the vague shape of her husband hitting the floor.

            She passed out when he did.

*                      *                      *

            Over the next day and a half Melodie experienced blurred visions of what went on around her, like an old black and white film reel stitched together frame by frame:

i.

            The delivering doctor shared words with an RN pertaining to how he felt the situation had been handled.

            “You hung me out to dry, Alice—I should have your job for this. Why wouldn’t you warn me beforehand?”

            “Dr. Sam, I didn’t—I didn’t know. We didn’t know. No one was aware—”

            “Save it. Keep your mouth shut like you did before…” and on and on and on.

ii.

            Melodie heard voices outside the door.

            “Jack, Jack, it’s going to be ok. It will be all right,” said her sister.

            “No, it won’t be ok, it will not be all right. Did you see him? Did you? Don’t tell me what’s going to be ok and all right…” and on and on and on.

iii.

            Melodie felt the warm weight of something small and soft on her chest, under the blankets. She saw a thin layer of peach fuzz on a little lightbulb of a head.

            A redhead! she thought. No wonder Jack’s upset, he has always disliked redheads.

            Using all her energy Melodie began lifting the covers. The metal rain sound of the curtains yanked back startled the sheets out of her hands before she saw the rest of her new baby boy.

            “I’m sorry,” said a woman with a name tag reading ‘Alice.’ “Didn’t mean to startle you. Time for another shot of morphine is all. It may help with what’s under the covers.”

            “What do you mean?” said Melodie. “He’s just a redhead. Why is everyone making it out to be so bad? I know they have the highest percentage of neanderthal DNA but I don’t care about that, it doesn’t mean a thing. I am sure he’ll be a very smart boy. Jack doesn’t, but I love redheads.”

            Alice administered the medication. “Oh, honey. No, no. That’s not it at all.” She left with another flash of metal rain.

            The drugs took hold; Melodie was a rubber giant, an inflated goon. She half-coordinated her mile-long arms to lift the blankets, peeling them back. Her baby clung to her chest like a sack of parasitic potatoes, like hot apple oatmeal. Her eyes shot down to his legs—he had two of them and they looked fine. Her eyes slid up his body—slowly, slowly—and she saw what was causing all the ruckus.

            What caused Jack to faint and scream at her sister. What caused the doctor to lose his professionalism. What caused a morphine-wielding RN called Alice to issue an ambiguous warning to a new mother. What curved Melodie’s lips up in a sweet mama smile because she was so high.

            She giggled.

            Tyson had two left arms and none right.

            I guess that old saying is true, she thought. ‘Two lefts don’t make a right.’

            She wasn’t wrong. Not one bit.

iv.

            Jack came in screaming his head off.

            This time she didn’t wake up.

Another Gray Day in Ghost Town

and it never seems to end,
you can never see the end
when it’s the same every day,
perpetually gray, and nothing
seems to change—

blending and blurring yet time
keeps turning, you’re stuck between
holes two and three on your favorite belt

everything once familiar is not anymore—
strangers without faces, places
foreign and obscure that only
further estrange you—

an atrocious trip, a lofty comedown
worse still because it’s all real—
no drugs involved, it’s not drug
induced (if only it were at least
this could all be explained)—
you’re in an alternate reality
and the most dreadful part is all
the while you know you’re not

when your home, neighborhood,
town, region, WORLD starts
to feel like a snow globe—
when you’re a goldfish in a
fishbowl, a grain of sand on this
pale blue dot, claustrophobic
in an empty sea, suffocating
in all of this S P A C E—

unable to breathe in this
attack of madness, in need of
soothing eucalyptus and its
aromatic oils therein—
in need of so much more in
frail attempts to alleviate the
anguish, to palliate the pain—

absolutely ravaged inside yet
bursting at the seams with meaning—
if only you could find the right
words to say, in the proper
order, to set it all free—

instead, succumbing to roam the same lands
on your own now, floating along with the breeze—

the memories tethered to caution tape,
or a dusty police ticker,
or a defunct radio band—
pulled through your ears
and shot through your head—
without will and without
reason, a mind of their own
that doesn’t feel the slightest
urge for a single instant
to ask for your consent—

providing waves of consciousness,
oceans of emotions, and even though
I’ve got deceased friends in my corner,
rooting me on—

it’s when the pinky pale death hues
of dawn arrive, I realize: the ones
dead and gone aren’t the ghosts—

I am.

I. If I Hadn’t, Then I Wouldn’t

            What is the most noteworthy thing you’ve ever done with your life?

            Think long, think hard. We’ve got time… or do we? No matter. That’s another topic for another day.

            It’s important we discuss such matters so that such matters are not overlooked, you see? There is not a plan that never lied dormant—flat, dead—before erupting spontaneously from brain to toe, flourishing through winter airs and summer breezes, fluttering for all to see. How often can torpid minds unleash savage wizardry of this realm in which we live? How many times can we rely on that which is most sacrosanct to pull us through, whether or not luck raises its palm and has its say?

            The palm I want to see is perennial. The say I want to have is this.

            It’s not so much a matter of saying, after all, as a matter of doing. This is impervious and implacable, no matter the matters at hand. No matter the means. The means only mean to be meaningless, as long as the ends meet or have met in courteous fashion. We couldn’t survive otherwise. Otherwise, the matters mean to say we mean nothing that matters. And I refuse to recognize that belief, as it can only lie to remain true.

            I never accredit anything that lies to remain true. Well, almost never.

            There are forces at work, my friend—forces that whip and whirl and twist and spin, forces that focus on folks of unfortunate circumstance, forces that live and breathe and spray-paint buildings soft and silver. They’ve caught my eye but I’ve never seen them. They look at me when I look away.

            The problem we encounter is that of ourselves. Or is it? We weren’t the ones who put up the wall, we are the ones who tear it down. It’s not a space in which we seek, it’s a space in which we found—each other and ourselves, screaming adages in need of bandages while phantoms fasten atlases on shivering cactuses. Pardon me, I mean cacti. Can’t I? I can’t call it, but I can: ball it up, toss it out, start over, forget to rewind, become uneasy, fall down stairs, hit my head, wake up hungry, lock the door, check out the show. And, my friend, it’s a show you like. Yes. Mhm. Very much so. Don’t believe me? Then we’ve encountered a debacle, which is impossible because here there are no obstacles and certainly no constables. Nonetheless, an issue issued is a point of interest and a deep discussion is knowledge gained. That’s why we’re here, isn’t it?

            What’s the point if it’s not focal?

            There’s a time and a place for everything and this is the time and the place for this. If not, it wouldn’t be. If I hadn’t, I would not. Yet alas! it does and we do and we think and we move by the twos and the fours across polished floors until the night becomes morning and we leave without warning while the sky is still pouring and we make it back home. Taking for granted you have one (a home that is), a bold assumption in a bold time. If we can get used to harassment in the workplace and corruption in the office we can get used to a little ol’ fashioned boldness here and there. They say never say never, but I still do. My ‘used to’ is used up and I wouldn’t want the damn thing back anyway.

            If we can make it here we can make it anywhere. If we can make it there, I know we can make it back again. But why in the hell would we want to do that? “To the cliff and over,” that’s what someone said—someone with a brain and a heart and a soul and a mind, past half livin’ half of the time.

            So leave your shoes on, remove your reservations at the door. Don’t RSVP unless you’re under the sea and need an alibi to soak up the abyss a bit longer than previously presumed.

            ‘Premeditated’ is a strange word when it’s not followed by murder. Isn’t that strange? I thought so—I still do. But I don’t think I think nearly as much as I think I do. Sometimes I think that I don’t nearly think enough. I don’t give it much thought anymore.

            Anyway, as I was saying: the show is near the show is here the show is now the show’s in town! And I believe you’ve had time to answer the question—oh, don’t tell me you’ve forgotten the inquisition! No, not twelfth century Europe! Twenty-first century earth! Its simplicity is oftentimes masked by its crucial importance, a significant imminence emanating an existence of crude naïveté. You’ve misplaced your reaction? That’s all right, because this is all real. This is tough. Don’t let them win. Get up, get right, get gone. Get with me or get lost.

            Excuse me.

            Get with me and get lost. Lost in the fog on a salacious evening, lost in rustic sunshine on a Thursday afternoon. Why do we capitalize days, months, and continents but not planets, ideas, and chances? No matter, never mind. I don’t mind never but our minds do matter so to never mind matter is a matter I never find. I found the founders from under the fountain who just wanted to have fun in the future but failed the foundation frugally when exchanging their fundamentals for futility. They never told me where they came from, but I knew where they were going. For someone like me, it’s the opposite—I know from which I came, but not to which I go.

            I’m getting ahead of myself! Tonight I go to the show. Do you approve my endorsement? Have faith in my taste? Or au contraire, fine monsieur or mademoiselle, do you upend my opinion? Do you disregard what I recommend? I have an extra ticket and the schedule for the streetcar. It stops at my corner, again at the theatre. Chariots await! Oh, you’re awaiting my response to the question. Ok, good friend. Fair enough.

            I have not yet done the most noteworthy thing of my life. That’s my answer. Unless you count this. Are you taking notes?